Let me say it upfront, I am very “meh” about Kathy Griffin. Most times I find her to be annoying and think that her schticks are obnoxious bordering on rude. Still, she can get a chuckle out of me even if I don’t want her to. I basically got this book because of my partner who is a bit more of a Kathy fan than I am. However, once we started listening to it together, I just couldn’t stop! As far as celebrity tell-all, humor memoirs, go...this is the best of the bunch!!
You know Kathy, she’s the annoying redhead who did too much plastic surgery, stormed out of the Emmy’s, and brought Bristol Palin’s baby daddy to a red carpet event. She can be annoying times ten but what this memoir shows is the softer side of Griffin; the woman who took two gay men who were kicked out of the military because of DADT to a red carpet event. However, this is not a sappy memoir where you find out that the wicked witch of the west has a heart. No. This is a truthful history of Kathy that is narrated by herself and she does what few people (especially celebrities) do...she writes about her flaws.
She brings the reader back to her younger years when she worked various jobs, none of which were on comedy, and took years to barely get noticed. She describes her rise to almost fame and the people who helped her get there. But she also talks about her closest friend who committed suicide, her severely troubled brother, and her ill fated marriage. She lays bare the truth about her plastic surgery, speaks of her regrets, and makes the reader chuckle while feeling her pain. This memoir is incredibly well down in the way that few memoirs are these days. Equal parts humor and heart-wrenching, Griffin does not disappoint. Even if you’re not a fan, try this book...it may change the way you think.
Showing posts with label Family Dysfunction. Show all posts
Showing posts with label Family Dysfunction. Show all posts
Thursday, June 14, 2012
Sunday, May 20, 2012
"Everything We Ever Wanted" Was Not This Book...
In the past five months, I have read four books about high school scandals. There must be something in the air that has turned so many people’s attention to these events. Of course bullying is in the forefront of everyone’s mind these days and I think that many of these books do justice to such a complicated topic. Unfortunately, there are other novels that fall short and do not add anything to this canon of literature. Sadly, Sara Shepard’s “Everything We Ever Wanted” is one of these works.
The story is told from various viewpoints within the Bates-McAllister family. First, is the matriarch of the family, Sylvie Bates-McAllister whose family established a private prep school in Pennsylvania. Two months after her husband dies, Sylvie receives a phone call from the headmaster of the school informing her that her son has been involved in a hazing situation. Sylvie’s son, Scott, is the school’s wrestling coach and was in fact adopted by the Bates-McAllister’s when he was young. Due to this, he has never felt like he fit in with the rich and famous with whom he was raised. Sylvie’s other son, Charles, is devastated that once again his adopted brother has dragged the family name through the mud. Watching all of this unfold is Charles’ new wife who has striven most of her life to become a Bates-McAllister and still is made to feel on the outs. The family must attempt to come together during this time and face their past demons in order to save their name, the school, and their family.
Clearly, there is a lot going on in this novel. I would like to say that it is handled well...but it’s not. There are far too may issues for a book that is under 300 pages and with characters that lack any development. The plot is horrifically predictable which would not be such an issue if the characters were more realistic and grew during the novel. The relationships portrayed are very thin and therefore hinder the novel from progressing or being meaningful. Though one can easily see where the book is leading you, there are many questions left unanswered. However, this is not like other pieces of literature where you mull over the ending and discuss with friends what really happened. Instead, this is as if you’re doing a crossword puzzle and someone forgot the clue for 39 across...you can still figure out the answer but it’s annoying and you lose interest. Personally, I will not be recommending this to any friend, book group, or family member. I give it two stars because I believe Shepard could make this into a decent young adult book, but there’s nothing here that hasn’t already been done...and done better.
The story is told from various viewpoints within the Bates-McAllister family. First, is the matriarch of the family, Sylvie Bates-McAllister whose family established a private prep school in Pennsylvania. Two months after her husband dies, Sylvie receives a phone call from the headmaster of the school informing her that her son has been involved in a hazing situation. Sylvie’s son, Scott, is the school’s wrestling coach and was in fact adopted by the Bates-McAllister’s when he was young. Due to this, he has never felt like he fit in with the rich and famous with whom he was raised. Sylvie’s other son, Charles, is devastated that once again his adopted brother has dragged the family name through the mud. Watching all of this unfold is Charles’ new wife who has striven most of her life to become a Bates-McAllister and still is made to feel on the outs. The family must attempt to come together during this time and face their past demons in order to save their name, the school, and their family.
Clearly, there is a lot going on in this novel. I would like to say that it is handled well...but it’s not. There are far too may issues for a book that is under 300 pages and with characters that lack any development. The plot is horrifically predictable which would not be such an issue if the characters were more realistic and grew during the novel. The relationships portrayed are very thin and therefore hinder the novel from progressing or being meaningful. Though one can easily see where the book is leading you, there are many questions left unanswered. However, this is not like other pieces of literature where you mull over the ending and discuss with friends what really happened. Instead, this is as if you’re doing a crossword puzzle and someone forgot the clue for 39 across...you can still figure out the answer but it’s annoying and you lose interest. Personally, I will not be recommending this to any friend, book group, or family member. I give it two stars because I believe Shepard could make this into a decent young adult book, but there’s nothing here that hasn’t already been done...and done better.
"The Wonder Years" Meets "Stand By Me" in "Red Ruby Heart in a Cold Blue Sea"
This book is the complete package; sorrowful, humorous, inspiring, dark and filled with love. I believe that this is Morgan Rogers’ first novel and it couldn’t be better. She has already been compared to Fannie Flagg and Elizabeth Stroud but I will go out on a limb and say that she is better!
Florine Gilham is an only child living in a coastal village in Maine during the 1960s. She has a motley crew of friends who also grew up on “The Point” with whom she gets into trouble, falls into love, and leans on in times of need. When Florine’s mother goes missing, Florine’s entire world is thrown upside down. Florine and her father disagree about the grieving process which further alienates her from what is left of her family. She moves in with her paternal grandmother where she finds the love and acceptance that she craves. Sadly, her relationship with loss and grief is not done with Florine or her family.
When trying to explain this novel to others, I describe it as “The Wonder Years” meets “Stand By Me”. It captures all of the hope, security, and love of the 1950s and 1960s while always hinting at the changing times and future hardships. The setting of coastal Maine is perfect as Rogers compares the simple lives of the year-round residents with the glamorous lifestyle of the seasonal visitors. In doing so, she investigates issues of class, familial relationships, and the meaning of home. Her characters are wonderfully dynamic while remaining real. At times you disagree with their stances, dislike their attitudes, and become angry with their choices. Yet, you can’t help but love them. When you come to the last page, I’m certain you’ll be as sad as I was to have to say goodbye to the characters and The Point. You’ll want to re-read it all over again...
Florine Gilham is an only child living in a coastal village in Maine during the 1960s. She has a motley crew of friends who also grew up on “The Point” with whom she gets into trouble, falls into love, and leans on in times of need. When Florine’s mother goes missing, Florine’s entire world is thrown upside down. Florine and her father disagree about the grieving process which further alienates her from what is left of her family. She moves in with her paternal grandmother where she finds the love and acceptance that she craves. Sadly, her relationship with loss and grief is not done with Florine or her family.
When trying to explain this novel to others, I describe it as “The Wonder Years” meets “Stand By Me”. It captures all of the hope, security, and love of the 1950s and 1960s while always hinting at the changing times and future hardships. The setting of coastal Maine is perfect as Rogers compares the simple lives of the year-round residents with the glamorous lifestyle of the seasonal visitors. In doing so, she investigates issues of class, familial relationships, and the meaning of home. Her characters are wonderfully dynamic while remaining real. At times you disagree with their stances, dislike their attitudes, and become angry with their choices. Yet, you can’t help but love them. When you come to the last page, I’m certain you’ll be as sad as I was to have to say goodbye to the characters and The Point. You’ll want to re-read it all over again...
Summer of '39: Almost As Scary As I Know What You Did Last Summer
Wow. That’s all I can say. I finished this novel about two weeks ago and it’s taken this long for me to put my words on the page. This novel is fantastic in the way that only good literature can be; it’s dark, depressing, exquisitely written and filled with compelling characters. My only disappointment is that it took me this long to read it!
Nancy is part of an old Boston Brahman family where she has been ignored and abused by her family. When her brother dies during WWI, Nancy’s life becomes exponentially worse. Her only solace comes when she visits her aunt and uncle in Falmouth, Massachusetts. Sadly, when these visits end, Nancy’s mother sends her to NYC. Once there, she meets Chance. Chance is the epitome of bohemian Greenwich Village (he runs his own publishing company from the printing press in his apartment). But when the couple becomes entranced by philosophical poet Isabel March, there are violent and destructive repercussions for the whole family.
I have to say that when I finished the novel I was even more depressed than at the conclusion of “The Bell Jar”. I had so many complex feelings that it has taken me two weeks to sort through them. While I found the story to be incredibly disturbing, it truly is great literature. The writing is just about flawless, the characters are deep, and the language is beautiful. Do yourself a favor and pick up this book! But if you’re depressed by the end...don’t say I didn’t warn you.
Nancy is part of an old Boston Brahman family where she has been ignored and abused by her family. When her brother dies during WWI, Nancy’s life becomes exponentially worse. Her only solace comes when she visits her aunt and uncle in Falmouth, Massachusetts. Sadly, when these visits end, Nancy’s mother sends her to NYC. Once there, she meets Chance. Chance is the epitome of bohemian Greenwich Village (he runs his own publishing company from the printing press in his apartment). But when the couple becomes entranced by philosophical poet Isabel March, there are violent and destructive repercussions for the whole family.
I have to say that when I finished the novel I was even more depressed than at the conclusion of “The Bell Jar”. I had so many complex feelings that it has taken me two weeks to sort through them. While I found the story to be incredibly disturbing, it truly is great literature. The writing is just about flawless, the characters are deep, and the language is beautiful. Do yourself a favor and pick up this book! But if you’re depressed by the end...don’t say I didn’t warn you.
Sunday, May 13, 2012
Memoir of Hollywood Horrors You WON'T Find on A&E
Today seems to be the era of the memoir and while I adore reading, I do not also adore memoirs. However, I am always willing to be proven wrong and recently...I have been proven wrong many many times! I was on a memoir high when I decided to take a stab at this one. The synopsis that the published released sounded very appealing to me because it sounded a great deal like mine and my mother’s life with some of our relatives. I found a great deal of closure in this memoir for myself and even lent the book to other members of my family. Unfortunately, for the average memoir-reader, I don’t know that this book would be that appealing.
To say that the author Laurel Saville had a tumultuous relationship with her mother, Anne, is to say that the Crusades were unpleasant. Laurel begins her mother’s story by telling of Anne was found murdered in possibly sexually assaulted in an abandoned building in West Hollywood. Upon hearing this news, Laurel decides to shelf the matter as dealing with her and her mother’s past will only hurt Laurel. When Laurel’s father becomes ill, she finally decides that it is time to come to terms with her mother’s death and her life. Laurel decides to research her mother’s murder and in doing so pulls the curtain back on her own damaged childhood. She writes about the long line of destructive and abusive men that tramped through her mother’s life; the fluctuating emotions that her mother had when drinking (and she was always drinking); and her inevitable decision to move to the other side of the country in hopes of releasing herself from her mother’s grasp. Anne’s erratic behavior, narcissistic nature, and inability to raise her children led to fractured family in which Anne was always the child and expected to be taken care of by either her grandparents or children.
While it is difficult to read such a story, it is even more arduous to have any kind of compassion of sympathy for Anne. Yet, Laurel is not the kind to be victimized or vilify her mother. Instead, she presents the facts and makes sure that the reader understands that they are presented from her point of view. Additionally, she presents the memoir in an anti-chronology. Instead of starting with her birth or her mother’s upraising, she begins with her mother’s death. She then jumps around in time between her childhood, her adulthood, Anne’s childhood, and Laurel’s adolescence. For some readers, this may be distracting and difficult to understand. However, I thought that is matched the memoir perfectly. She presents her stories as memories which are no sequential. It might make it harder for the reader, but it’s more true to life and memory.
While I was pretty entranced by the memoir, I cannot fully endorse it. The reason being that I don’t know how many people will really enjoy. As I previously stated, I could relate to the story and therefore found it merits. For those who have not had a fractured family such as Laurel’s, you may find the memoir self-indulgent or even tedious. Additionally, this is not a memoir specifically about Anne so if you are looking for a story about the dark side of Hollywood as seen through the eyes of a 1960s model...this is not the book for you. This is just as much Laurel’s memoir as it is her mother’s. Personally, I think that the book could benefit from some photographs. Many of the descriptions of Anne focus on her great beauty and eventual disintegration, similar to Dorian Gray. Unfortunately, there aren’t any photographs to back this up. I was able to find some online, but it’s a bit of a hassle when they easily could have been printed in the book. Lastly, while the writing was beautiful and I found the story to have worth, it seemed more like a personal project that had somehow been published. I am sure it was a catharsis for Laurel but I don’t know how well it will play out with larger audiences. I do believe it has a future, I am just unsure what or where that is.
To say that the author Laurel Saville had a tumultuous relationship with her mother, Anne, is to say that the Crusades were unpleasant. Laurel begins her mother’s story by telling of Anne was found murdered in possibly sexually assaulted in an abandoned building in West Hollywood. Upon hearing this news, Laurel decides to shelf the matter as dealing with her and her mother’s past will only hurt Laurel. When Laurel’s father becomes ill, she finally decides that it is time to come to terms with her mother’s death and her life. Laurel decides to research her mother’s murder and in doing so pulls the curtain back on her own damaged childhood. She writes about the long line of destructive and abusive men that tramped through her mother’s life; the fluctuating emotions that her mother had when drinking (and she was always drinking); and her inevitable decision to move to the other side of the country in hopes of releasing herself from her mother’s grasp. Anne’s erratic behavior, narcissistic nature, and inability to raise her children led to fractured family in which Anne was always the child and expected to be taken care of by either her grandparents or children.
While it is difficult to read such a story, it is even more arduous to have any kind of compassion of sympathy for Anne. Yet, Laurel is not the kind to be victimized or vilify her mother. Instead, she presents the facts and makes sure that the reader understands that they are presented from her point of view. Additionally, she presents the memoir in an anti-chronology. Instead of starting with her birth or her mother’s upraising, she begins with her mother’s death. She then jumps around in time between her childhood, her adulthood, Anne’s childhood, and Laurel’s adolescence. For some readers, this may be distracting and difficult to understand. However, I thought that is matched the memoir perfectly. She presents her stories as memories which are no sequential. It might make it harder for the reader, but it’s more true to life and memory.
While I was pretty entranced by the memoir, I cannot fully endorse it. The reason being that I don’t know how many people will really enjoy. As I previously stated, I could relate to the story and therefore found it merits. For those who have not had a fractured family such as Laurel’s, you may find the memoir self-indulgent or even tedious. Additionally, this is not a memoir specifically about Anne so if you are looking for a story about the dark side of Hollywood as seen through the eyes of a 1960s model...this is not the book for you. This is just as much Laurel’s memoir as it is her mother’s. Personally, I think that the book could benefit from some photographs. Many of the descriptions of Anne focus on her great beauty and eventual disintegration, similar to Dorian Gray. Unfortunately, there aren’t any photographs to back this up. I was able to find some online, but it’s a bit of a hassle when they easily could have been printed in the book. Lastly, while the writing was beautiful and I found the story to have worth, it seemed more like a personal project that had somehow been published. I am sure it was a catharsis for Laurel but I don’t know how well it will play out with larger audiences. I do believe it has a future, I am just unsure what or where that is.
Friday, May 11, 2012
Dotter of Her Father's Eyes -- the FANTASTIC double entendre is just the beginning

This graphic novel actually tells two stories; that of Mary Talbot and that of Lucia Joyce. Mary, the author of the graphic novel, had a tumultuous and at times an abusive upbringing. Her father was one of the leading Joycean scholars who suffered from depressive bouts and violent outbursts. Interwoven with Mary’s story is that of Lucia Joyce who has a similar relationship to her own father as Mary had to hers. For those who do not know about Lucia’s history, she was a free spirit who was misunderstood by her parents and therefore suffered a tortuous life.
There are striking similarities between Lucia and Mary who both came of age during pivotal times in history; Mary during the 1950s and 1960s right on the cusp of women’s liberation, and Lucia during the 1930s which socially mirrored that of the 1960s with changing roles for women. Yet both women are hindered by their parents’ own failed dreams and subsequent anger which kept them from encouraging their daughters. Instead, they wished to see them cloistered in a traditional setting despite the societal changes that were taken place. Both of their fathers struggled intellectually and this was played out in their troubled relationships with their daughters; forever changing their daughters’ lives.
The illustrations are absolutely gorgeous and adds greatly to the story. Lucia’s story is told in illustrations that are defined but blend into each other as memories typically do. This was an interesting technique and very effective for her story. Mary’s story is told in sepia while Joyce’s story is told in shades of blue. This technique works perfectly as sepia brings to mind old photographs while shades of blue conjures up melancholy feelings which fits each story. There are images of “today” which are in full color and have very defined panels. This only adds to the feeling of remembrance in the other sections.
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James Joyce ca. 1918 |
Similar Reads: The Fun Home
Maine Isn't Just For Maine-iacs
The novel follows four women in the Kelleher family during a monumental
summer at their beach house in Maine. Alice, the matriarch, is a strong
willed and loose tongued woman who feels little affection for her
family. She finds it difficult to relate to her children and
grandchildren despite the fact that they are her blood. Her sections
flash back and forth between the current summer at her house in Maine
and an event from her past that still plagues her with guilt after over
60 years. Kathleen, Alice's daughter, is the misfit in the family. She
is a recovering divorce with two children and a worm farm in California
that she runs with her boyfriend. Her and Alice have always butted heads
which was only exacerbated with Kathleen's father died. However, a
momentous event causes Kathleen to uproot herself from her peaceful life
in California and come east one last time to face her demons...and her
mother. Anne-Marie, Alice's daughter-in-law, is the character everyone
loves to hate. She was a stay at home mom who is a stickler for proper
manners and etiquette. Though she was from the wrong side of the tracks,
she has abandoned most of her past in hopes of becoming an upper-class
socialite. Her only problem is her dysfunctional children and distant
husband. Maggie, Kathleen's daughter, has always looked for love in all
of the wrong places. Unfortunately, this last place left her pregnant
and alone. She goes to Maine in an effort to get back to herself and
plan her next move. When these four women are forced to share a house
(or two), fights erupt, skeletons are unleashed from closets, and their
love of family is tested.
Don't be fooled by the rocks that Maine "got", those waters are treacherous! |
I know this sounds like a lot of material, but Sullivan pulls it off
without ever confusing the reader. Each character has her own dynamic
and personality which is a feat when writing a novel that is constructed
of all female narrators. Interestingly, none of the characters are
likeable but I was still hooked on their every word. Perhaps the reason
is that every family has an Alice, Kathleen, and Anne-Marie. The
dynamics between the four women was fascinating and completely real. I
would have enjoyed some insight from the men in the family, but I think
that's another book as this one is all about the Kelleher matriarchy.
Some reviewers were annoyed that the book didn't have more to do with
Maine and wasn't really a beach read. Both of these statements are true.
If you're looking for chick lit complete with a quirky main character
and prince charming, this is absolutely not your book. If you're looking
for a book that drops the names of various town and restaurants in
Maine so if you have been to Maine you can feel like you're "in the
know"...this is not it! This is a reasonably dark family drama that just
happens to be set on the beach. Unfortunately, I could not give this
book five stars because some of the Kathleen sections were a bit cliched
or clunky. I felt that all of the other women were well developed and
unique. However, I felt like I had met Kathleen before in many novels
and Lifetime movies. Still, it didn't hurt my opinion of the novel which
I will certainly be recommending.
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